“There are hundreds of kids in Britain doing PhDs – PhDs! – in fine art….It could not be a worse situation”
Michael Craig-Martin, in Baldessari and Craig-Martin (2009) ‘Conversation’ in Madoff (Ed) Art School (Propositions for the 21st Century), pp 45-6.
The last decade has seen significant growth in the number of practice-based or practice-led research degrees offered by universities and art schools. This event will examine the problems and prospects for such courses. How do students and supervisors understand the relationship between the practice and thesis components of the project? How should they do so? What are the broader effects on artistic practice of training within such a framework. Ultimately, are practice-based research degrees fit for purpose?
This round table discussion was held on Friday the 24th of March 2017 at King’s College London, and was realised in collaboration with The Culture Capital Exchange. Below is a full recording of the event:
Dr. Jonathan Clark (Head of Research, Trinity Laban Conservatoire)
Prof. Robert Hampson (Distinguished Research and Teaching Fellow, Royal Holloway)
Dr. Jane Wildgoose (Artist, Researcher, Broadcaster)
Dr. Sacha Golob (King’s College London, Philosophy and Director CPVA)
Evelyn Wilson (The Culture Capital Exchange)
This spring, the CPVA is launching a new initiative that aims to allow artists to develop their practices with the help of access to academia. These mini-residencies will be small-scale, with artists being invited to join lectures, seminars, or meetings that have specific relevance to a project or a body of work. The mini-residency programme will be ongoing, on an ad-hoc basis, and will – for now – be granted by invitation only.
The first artists to be invited to a mini-residency are Melissa Franklin and Cheryl Simmons. They will be welcomed to King’s later this spring, and will take part in a joint presentation with our other artists in residence towards the end of 2017.
Cheryl Simmons, ‘I never recognised them except in fragments’, video still, 2016
CPVA proudly welcomes Hester Reeve to King’s College this spring as one of our two artists in residence. Hester Reeve was selected from nearly a hundred applications to our open call last year to attend John Callanan’s lecture series on Kant’s Groundwork for the Metaphysics of Morals, in support of her own research project which will explore how thinking conceptually about art’s possibilities can facilitate new agendas for making, composition and materials. After attending a lecture series during the coming term, Reeve will share a residency at Kunsthuis SYB later this year with fellow artist in residence Siobhán Tattan.
Hester Reeve, Platonic Exercise – Sacrifice to Athena
CPVA proudly welcomes Siobhán Tattan to King’s College London as artist in residence this spring term . Siobhán Tattan was selected from nearly a hundred applications to our open call last year, and will be attending Christopher Hamilton’s module on the Search for Meaning. Hamilton’s focus on literature and tragedic episodes will complement her own research into the romantic in literature, and explore how gestures in staging, sound, tone, and film are used to uphold a character’s wealth of emotions. After attending the lecture series, Tattan will share a residency at Kunsthuis SYB later this year with fellow artist in residence Hester Reeve.
Siobhán Tattan, Brilliant Failures, still from digitised 16mm film
The Centre for Philosophy and the Visual Arts is a major multi-disciplinary initiative based at King’s College London. Its aim is to bring together academics, artists, curators and gallerists to explore the connections between philosophy, theory and the visual arts.
Above all, the Centre is committed to developing ongoing collaborations between artists and philosophers, and to exploring the way in which the format of such collaborations alters or deepens the interplay between the two approaches.
On this website you will find a selection of our activities.